My work explores the dialectic between nature and civilization through meticulous oil painting, also pointing to how humanity finds its own meaning in the world. Faced with the reality of human creation and destruction coexisting, I use symbolic landscapes, mist, and reflections to present the struggle of life between the temporary and the eternal. From symbiosis, existence to geopolitical imagery series, I consistently focus on humanity's place within the remnants of civilization and the cycles of nature. I hope to guide viewers to reflect through my paintings: what is humanity's true value and mission in the creation and decay of the world? The mountain is no longer merely a landscape, but reveals itself through contemplation; the self is not a inserted symbol, but its existence is "seen" within its form. This manifestation is not a representation, but a generative phenomenon—existence is revealed in the present moment of viewing. In the painting of “The Mark of Existence - A Distant Gaze”, a white horse gazes at a Cliffside church, standing before the vast ocean, contemplating existence and seeking the direction of belief. Another painting, “The Imprint of Existence – Soaring”, the traces of civilization soar across the sky; phantoms within the clouds explore the essence of existence, while humanity locates meaning and value between illusion and reality.