The Winsing Art Foundation invited curator Yu Wei to organize the solo exhibition Li Yuan-Chia at Winsing Art Place. The exhibition re-examines the Foundation’s extensive collection of the artist’s works. On view are pieces from the 1950s to the 1990s, spanning four creative phases in Li’s career in Taipei, Bologna, London, and Cumbria. The exhibition features a wide range of media, including calligraphy, painting, low reliefs, interactive works, hangings, hand tinted photographs, and archival materials. It seeks to reveal the notion of the “point” in Li’s practice — minimalist, mysterious, and rich in haptic suggestion — alongside the spiritually infused cosmological schema that underpins it. Li Yuan-Chia was born in Guangxi in 1929, and he made his way to Taiwan after World War II. Inspired early on by the modernist ideas of Li Chun-Shan, he forged a pictorial language that fused traditional ink wash with abstract expression. He was also a founding member of the Ton-Fan Art Group, which led the first wave of postwar modern painting in Taiwan.